Natalie Dessay is certainly that and yet she never fails to remember that Delibes’s heroine must be a fragile and sensitive young creature. There is not much competition from Sutherland, whose singing is generalized and cloudy, with the words lost in the murk. It is easier to imagine loyal admirers retaining a fondness for the twinkling pin-point precision of Mesple, French coloratura.
Both the role of Lakme and Mallika are sung by sopranos. Notable sopranos to perform these roles include Dame Joan Sutherland, Natalie Dessay, Anna Netrebko, Beverly Sills, Sumi Jo, Huguette Tourangeau, and Marilyn Horne.
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Delibes creates a very exotic and enchanting work in Lakme. Listen to the strange overture and the opening chorus. The cast is excellent. Gabriel Bacquier seems to, in every one of his recordings, put in a performance of a lifetime. His Nikalantha is incomparable. He sings great and the characterization is a perfect match to his commanding presence. Alain Vainzo's Gerard is also beautifully.
Gabriel Bacquier is a pillar of strength as Nilakantha, but the best modern recording, and the most marvellous singing of the title part since Mado Robin is undoubtedly to be found in the Plasson recording with Natalie Dessay challenging even Mado Robin. I believe, however, that when I want to hear this opera again in a truly authentic version, it is most likely to be through the Sebastian.
Natalie Dessay is a regular collaborator with Michel Legrand and together they have performed all over the world. She is also a committed recital singer, frequently performing French melodies and German Lieder with Laurent Naouri, Maciej Pikulski or Philippe Cassard. In 2015 she revealed new depths of dramatic and rhetorical insight, making her debut as a narrator in performances of Howard.
Search for a Composer: Featured Popular Composers. Bach, Johann Sebastian; Beethoven, Ludwig van; Berlioz, Hector.
Artist In-Depth: Natalie Dessay Natalie Dessay is certainly one of the most important singers of the last several decades. While her voice does not appeal to all and her views about what opera is and should be are controversial, she has been an A-list singer for nearly two decades now due to her extraordinarily agile voice and her artistry, both within the song and on-stage. Born Nathalie.
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